An installation structured as an altar. It brings together ceramic sculpture, textile, metal blinders, light, and sound to reflect on bodies treated as resources rather than beings. The work traces parallels between human and non-human experiences of reproductive control, extraction, and selective visibility, where fertility is instrumentalised when useful and ignored when it is not.
The ceramic form functions as a hollow vessel: part body, part reliquary. Its emptiness is intentional, a site of refusal rather than lack. Surrounding elements reference mechanisms of looking away, systems of classification, and the quiet violence embedded in care, production, and protection. By invoking ritual and devotion, the installation asks what it means to witness, to withhold, and to claim bodily autonomy across species.